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Although from the moment the gills disappear the frog is a true land animal, he is obliged, on account of the fish-like character of his young, to lay his eggs in the water. For this purpose the frogs enter the pools in early spring. The surface of every country pond swarms with the bright-eyed little creatures. They have awakened from a long, cold, winter sleep, to find the spring about them and within them. Life has suddenly become abundant and joyous. Their sluggish blood flows faster, their hearts beat quicker; they leap, they swim, they swell out their throats and call to each other in various keys. The toads are with them, and the pretty tree-frogs that change their color to suit their emotions. And all are rapturously screaming. Their voices are not musical, according to man's standard, but seem to afford great satisfaction to the performers in the shrill orchestra of the swamps, who thus give vent to the flood of life that sweeps through them after the still, icy winter.

n Orang climbs so slowly and cautiously as, in this act, to resemble a man more than an ape, taking great care of his feet, so that injury of them seems to affect him far more than it does other apes. Unlike the Gibbons, whose forearms do the greater part of the work as they swing from branch to branch, the Orang never makes even the smallest jump. In climbing, he moves alternately one hand and one foot, or, after having laid fast hold with the hands, he draws up both feet together. In passing from one tree to another he always seeks out a place where the twigs of both come close together, or interlace. Even when closely pursued, his circumspection is amazing; he shakes the branches to see if they will bear him, and then bending an overhanging bough down by throwing his weight gradually along it, he makes a bridge from the tree he wishes to quit to the next.


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