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It is probably a wholly false antithesis to speak of life as a contrast to literature; one might as well draw a distinction between eating and drinking. What is meant as a rule is that if a man devotes himself to imaginative creation, to the perception and expression of beauty, he must be prepared to withdraw from other activities. But the imagination is a function of life, after all, and precisely the same holds good of stockbroking. The real fact is that we Anglo-Saxons, by instinct and inheritance, think of the acquisition of property as the most obvious function of life. As long as a man is occupied in acquiring property, we ask no further questions; we take for granted that he is virtuously employed, as long as he breaks no social rules: while if he succeeds in getting into his hands an unusual share of the divisible goods of the world, we think highly of him. Indeed, our ideals have altered very little since barbarous times, and we still are under the impression that resourcefulness is the mark of the hero. I imagine that leisure as an occupation is much more distrusted and disapproved of in America than in England; but even in England, where the power to be idle is admired and envied, a man who lives as heroic a life as can be attained by playing golf and shooting pheasants is more trusted and respected than a rich man who paints or composes music for his amusement. Field sports are intelligible enough; the pursuit of art requires some explanation, and incurs a suspicion of effeminacy or eccentricity. Only when authorship becomes a source of profit is it thoroughly respectable.

he Surinam toad, represented in No. 8, is also the possessor of one of the strangest nurseries known to science. It lives in the dense tropical forests of Guiana and Brazil, and is a true water-haunter. But at the breeding season the female undergoes a curious change of integument. The skin on her back grows pulpy, soft, and jelly-like. She lays her eggs in the water: but as soon as she has laid them, her lord and master plasters them on to her impressionable back with his feet, so as to secure them from all assaults of enemies. Every egg is pressed separately into a bed of the soft skin, which soon closes over it automatically, thus burying each in a little cell or niche, where it undergoes its further development. The tadpoles pass through their larval stage within the cell, and then hop out, in the four-legged condition. As soon as they have gone off to shift for themselves, the mother toad finds herself with a ragged and honeycombed skin, which must be very uncomfortable. So she rubs the remnant of it off against stones or the bark of trees, and re-develops a similar back afresh at the next breeding season.


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