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We crossed two streamlets flowing west. Benedicto and Filippe were in such a bad way that it was breaking my heart to look at them. Every time they fell down in a faint I never knew whether it was for the last time that they had closed their eyes. When I felt their hearts with my hand they beat so faintly that once or twice I really thought they were dead. That day I myself fainted, and fell with the left side of my face resting on the ground. When I recovered consciousness some time later, I touched my face, which was hurting me, and found that nearly the whole skin of my cheek had been eaten up by small ants, the lower lid of the eye having suffered particularly. A nasty sore remained on my face for some two months after that experience, the bites of those ants being very poisonous.

teen (1626?-1679) was almost the opposite of Terburg, a man of sarcastic flings and coarse humor who satirized his own time with little reserve. He developed under Hals and Van Ostade, favoring the latter in his interiors, family scenes, and drunken debauches. He was a master of physiognomy, and depicted it with rare if rather unpleasant truth. If he had little refinement in his themes he certainly handled them as a painter with delicacy. At his best his many figured groups were exceedingly well composed, his color was of good quality (with a fondness for yellows), and his brush was as limpid and graceful as though painting angels instead of Dutch boors. He was really one of the fine brushmen of Holland, a man greatly admired by Sir Joshua Reynolds, and many an artist since; but not a man of high intellectual pitch as compared with Terburg, for instance.


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