|
|
Speciforyo Directory 01
Page 01
In her foreign wars Carthage depended upon mercenary troops, which her great wealth enabled her to procure in abundance from Spain, Italy, and Greece, as well as from Libya. Sardinia and Corsica were among her earliest conquests, and Sicily was also one of the first objects of her military enterprise. The Phoenician colonies in this island came under her dominion as the power of Tyre declined; and having thus obtained a firm footing in Sicily, she carried on a long struggle for the supremacy with the Greek cities. It was here that she came into contact with the Roman arms. The relations of Rome and Carthage had hitherto been peaceful, and a treaty, concluded between the two states in the first years of the Roman republic, had been renewed more than once. But the extension of Roman dominion had excited the jealousy of Carthage, and Rome began to turn longing eyes to the fair island at the foot of her empire. It was evident that a struggle was not far distant, and Pyrrhus could not help exclaiming, as he quitted Sicily, "How fine a battle-field are we leaving to the Romans and Carthaginians!"
his leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.
|
